Press Release



Video for hit SiriusXM “Highway Find” captures a “double down dreamer” “gunnin’ for the brighter lights”

 McBryde shares story behind “A Little Dive Bar In Dahlonega,” here

Nashville, Tenn. – Ashley McBryde, the fierce singer/songwriter who The Tennessean vows is “worth discovering” and Rolling Stone calls a “Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” recently made her Grand Ole Opry debut with her heartrending ode-to-self, “Girl Goin’ Nowhere,” which she released last month due to demand. She also performed her emotive single, “A Little Dive Bar in Dahlonega,” that night, a song that has consistently hoovered in the Top 5 of SiriusXM’s “The Highway’s Top 30.” The video makes its video debut on CMT and in a poignant narrative that was filmed in Watertown, Tennessee, the small town just outside of Music City where the Arkansas-native currently calls home.

McBryde co-wrote “A Little Dive Bar In Dahlonega” with Nicolette Hayford and Jesse Rice, sharing “We had all had a really bad day.  Not ‘one of the worst days of my life,’ but I had one of those days where nothing was going right. I got a crack in my windshield on my way to work, I got sick, and had broken a guitar string all within an hour and a half.  On top of that my co-writer, Jesse, was late, but bless his heart, when he walked in we could tell he had had a night and a morning that was just as rough as ours. That’s how we got on the subject of having the worst day ever, and that’s when Jesse started talking about his car breaking down in Dahlonega, GA.”

So, when it came time to capture the essence of the song, McBryde turned to director and filmmaker, ACM Video of the Year award-winner Reid Long (Eric Church’s “Mr. Misunderstood”), who slated many of McBryde’s friends as extras in the performance scene at the bar just down the road from where that tattooed 33-year-old lives since moving to middle Tennessee by way of Memphis 11 years ago.

“I am really excited and proud that we were able to film it in the Watertown/Lebanon area with real people, having a real-good time,” McBryde adds. “Reid was really able to capture the energy surrounding this song, because you can’t fake something like that.”

McBryde began making headlines while working as an independent singer/songwriter due to her raw lyrics and vocal prowess and has since been tapped to open for the likes of Eric Church, Willie Nelson, and Chris Stapleton.

“A Little Dive Bar in Dahlonega” and “Girl Goin’ Nowhere” are a taste of McBryde’s highly anticipated upcoming album produced by Jay Joyce.

McBryde is set to finish off summer with festival performances across the country before joining Miranda Lambert and Luke Combs on the road for select dates.

“A Little Dive Bar in Dahlonega” was also added today to CMT’s Next Women of Country Spotify playlist and is available for purchase here.

“Girl Goin’ Nowhere” is available for purchase here.

Ashley McBryde Tour Dates

February 01 /// Seagate Convention Centre With Luke Combs /// Toledo, Oh

February 02 /// Ryman Auditorium With Luke Combs /// Nashville, TN

February 03 /// Ryman Auditorium With Luke Combs /// Nashville, TN

February 08 /// Hobart Arena With Luke Combs /// Troy, OH

February 09 /// Deltaplex With Luke Combs /// Grand Rapids, MI

February 10 /// Cambria County War Memorial Arena With Luke Combs /// Johnstown, PA

February 15 /// Shreveport Municipal Auditorium With Luke Combs /// De Quincy, LA

February16 /// The Criterion With Luke Combs /// Oklahoma City, OK

February23 /// Covelli Centre With Luke Combs /// Youngstown, OH

February 24 /// Turning Stone Resort & Casino With Luke Combs /// Verona, NY

March 01 /// Salem Civic Center With Luke Combs /// Salem, VA

March 02 /// Grayson Stadium With Luke Combs /// Savannah, GA

March 08 /// Melkweg Amsterdam /// Amsterdam, The Netherlands

March 9 /// C2C London /// London, United Kingdom

March 10 /// C2C Glasgow /// Glasgow, United Kingdom

March 11 /// C2C Dublin /// Dublin, Ireland

March 15 /// Wells Fargo Arena /// Des Moines, IA*

March 16 /// Scottrade Center /// St Louis, MO*

March 17 /// Sprint Center /// Kansas City, MO*

March 29 /// Stagecoach Festival /// Indio, CA

March 24 /// Runaway Country Music Fest /// Kissimmee, FL

April 04 /// City National Civic With Luke Combs /// San Jose, CA

April 05 /// Bren Events Center With Luke Combs /// Irvine, CA

April 06 /// The Observatory North Park With Luke Combs /// San Diego, CA

April 11 /// The Complex With Luke Combs /// Salt Lake City, UT

April 17 /// Roseland Theater With Luke Combs /// Portland, OR

April 19 /// Showbox Sodo With Luke Combs /// Seattle, WA

April 20 /// Revolution Concert House With Luke Combs /// Garden City, ID

April 21 /// The Knitting Factory With Luke Combs /// Spokane, WA

April 23 /// Commodore Ballroom With Luke Combs /// Vancouver, Canada

April 25 /// Macewan Hall With Luke Combs /// Calgary, Canada

April 26 /// The Ranch Roadhouse With Luke Combs /// Edmonton, Canada

April 29 /// Stagecoach Festival /// Indio, CA

June 20 /// Country USA /// Oshkosh, WI

June 21 /// Lakes Jam /// Brainerd, MN

June 23 /// Country Fest /// Cadott, WI

July 20 /// Country Thunder /// Twin Lakes, WI

# # #

“But what makes “A Little Dive Bar in Dahlonega” transcend is songwriting, songwriting, songwriting…It’s intelligently constructed and casually delivered, full of rich imagery (“The worker bee that ain’t gettin’ no honey”), potent singalong moments (“Here’s to the breakups/that didn’t break us”) and words throbbing with outright lustrous feeling: “Man, it’s a hittin’-rock-bottom, smoke-‘em-if-you-got-‘em, nothing’s-goin’-right/makin’-the-best-of-the-worst-day kinda night.”

  • New York Times

“She’s unquestionably my favorite new artist…She’s a whiskey drinking badass.”

  • Eric Church on stage in Chicago

“Could Ashley McBryde be the first post-Stapleton country star?”

  • Ann Powers

“An Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,”

  • Rolling Stone Country’s “Artists You Need To Know”

“Ashley McBryde’s “A Little Dive Bar in Dahlonega” music video tells the story of a bad day turned upside down, but it’s the singer’s honest, been-there performance that makes the story so believable.”

  • Taste of Country

# # #
Ashley McBryde Youtube playlist:

Ashley McBryde YouTube channel:

“Little Dive Bar In Dahlonega” buy/streaming link:

“Girl Goin’ Nowhere” buy/streaming link:

CMT Video link:

Artist Bio

“I hear the crowd, I look around, and I can’t find one empty chair. Not bad for a girl going nowhere” sings Ashley McBryde on “Girl Goin’ Nowhere,” the seminal title track from her forthcoming LP. They’re words built from experience: over the course of her life, growing up in Arkansas, McBryde’s been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a “whiskey-drinking badass,” confessing that he’s a massive fan. The rest of the world is quickly catching on,

Dubbed as one of Rolling Stone’s “Artists You Need To Know,” citing she’s “an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” McBryde fearlessly lays it all on the line, and it’s that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be “among the first post-Stapleton country stars?” McBryde’s album will showcase an artistic vision that will prove her to be one of the genre’s keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience – a happenstance love on “A Little Dive Bar In Dahlonega,” a neighbor with a heavy past on “Livin’ Next to LeRoy,” a girl with an impossibly possible dream on “Girl Goin’ Nowhere” – McBryde sings with fire and fury, laughing and swigging that brown stuff along the way. And she’s not going to do it in glitter and sequins, either, like a good lady of Music Row. McBryde will wear her boots and crack her jokes: with McBryde, what you see is what you get, and what you get is what you see.

It’s that authenticity bleeding through every lyric, riff and song that had McBryde’s name as the top trending item on Apple Music All Genre upon release of “A Little Dive Bar In Dahlonega.” It’s those lyrics that hit the heart and gut, like “here’s to the breakups that didn’t break us,” that scored her opening slots Chris Stapleton and Eric Church.

McBryde was raised in Mammoth Spring, Arkansas, taking to music at the age when most kids were running wild in the backyard, dressing dolls or playing with trains. At three, she’d secretly pluck her father’s guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition.

“It was about this awful torrid love affair,” says McBryde, laughing. “My mom was like, ‘oh shit. You are a twelve going on forty.’ At twelve I knew that I could make stuff up. At sixteen I was like, I’m getting good at this. By the time I got to college, I had a big catalogue for an eighteen-year-old.”

It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others – first at karaoke parties, then in a band, and then in Memphis where she’d play a mix of cover and original songs while still commuting from college. When McBryde finally moved to Nashville in 2007, she settled with a friend at an apartment in a building that housed storage units – not the most glamorous of homes, but enough of a place to crash in between a healthy dose of dive bars, biker hangouts, and colorful joints where she fought to have her songs heard.

Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury – but offering plenty of room for her emotive, vulnerable twang to move softly through songs like “Girl Goin’ Nowhere,” which was written the morning that Guy Clark passed away.

“I’m not a pretty crier, and I got to my write with Jeremy Bussey that morning, red and blotchy,” she says. “So he said, ‘for Guy, maybe we should write a good song, one you’d want to play at the Opry someday.’ So, I told the story of when I was back in Algebra class, and we were going around the room saying what we wanted to do when we grew up. When it got to me, I said, ‘I’m going to move to Nashville and write songs, and they’re going to be on the radio.’ The teacher looked at me and said, ‘that won’t happen and you better have a good backup plan.’ It didn’t put the fire out, it just added to it.”

That fire’s been described as a combination of Bonnie Raitt, Lzzy Hale and Loretta Lynn, and that’s not wrong: McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And McBryde indeed played “Girl Goin’ Nowhere” at her Opry debut, and still performs it on stage to crowds that now sing along. She gets emotional from time to time, remembering the days when she was working at a guitar shop or as a security guard or selling barbecue, never letting that vision go – a vision she will share on her forthcoming LP that will help remind Nashville what country music is about. And that’s the stories that shake us, make us and tell us a little more about what it’s like to be human.

And that girl goin’ nowhere, from a little town in Arkansas? She’s a whiskey-drinking badass, going everywhere. Just watch.