CAGE THE ELEPHANT’S NEW ALBUM UNPEELED OUT NOW WORLDWIDE VIA RCA RECORDS
SHARE 21 LIVE VIDEOS
TELL ME I’M PRETTY WINNER OF 2017 GRAMMY® AWARD FOR “BEST ROCK ALBUM”
GRAMMY® Award winner Cage The Elephant’s new album, UNPEELED, is out now on RCA Records, and you can listen to it here.
This week, to commemorate the release of the album, Cage The Elephant rolls out 21 live performance videos worldwide, one for each song on UNPEELED. Highlights include premieres of “Rubber Ball” on Rolling Stone, “Cry Baby” on Entertainment Weekly, “Trouble” on Flaunt, “Punchin’ Bag” on Consequence Of Sound, and their covers of Daft Punk and Julian Casablancas’ “Instant Crush” on NME, Wreckless Eric’s “Whole Wide World” on Consequence of Sound, and The Strangler’s “Golden Brown” on Billboard. You can find all premieres here and watch all of the “Unpeeled” videos here.
UNPEELED was recorded over a series of intimate shows in cities including Los Angeles, Washington DC, Knoxville, and Nashville where the band performed in a stripped-down arrangement with a string quartet and additional percussion. UNPEELED features twenty-one tracks: eighteen curated songs from their past four albums plus three reimagined versions of existing songs. Said front man Matt Shultz about the inspiration behind the album: “Many times you’re adding sonic layers looking for something to hide behind, and what you don’t realize is that that vulnerability and that nakedness might be the most compelling and interesting thing about the song.”
Cage The Elephant has a number of confirmed festival dates in the US and will perform at Forecastle Festival, Lollapalooza, Osheaga Music & Arts, Mempho Fest and Cal Jam with The Foo Fighters and Queens of the Stone Age. Tickets for these dates are on-sale now and available here. Recently, Cage The Elephant also appeared on Late Night With Seth Meyers to perform the UNPEELED versions of “Whole Wide World” and “Too Late to Say Goodbye”.
Cage The Elephant received their first GRAMMY® AWARD for Best Rock Album for their fourth studio album, Tell Me I’m Pretty, which was produced by Dan Auerbach of The Black Keys. At radio, Cage The Elephant holds the record for the most #1 Alternative songs of any artist this decade. Tell Me I’m Pretty’s first two singles “Mess Around” and “Trouble,” both topped the Alternative charts at #1 (“Mess Around” also hit #1 at Triple A). In addition, “Trouble” maintained its bullet on the Alternative radio chart for an astounding 41 weeks. “Cold Cold Cold,” went top 5 at both Alternative and Triple A. Watch the video for “Cold Cold Cold” and “Trouble,” both directed by singer Matt Shultz.
Cage The Elephant consists of singer Matt Shultz, guitarist Brad Shultz, drummer Jared Champion, bassist Daniel Tichenor, lead guitarist Nick Bockrath and Matthan Minster on keyboard and backing vocals. Long celebrated as one of the most explosive live bands in the world, Cage The Elephant have sold out several headlining runs including a summer 2016 arena tour and recent sold out UK and European tour. Additionally, Cage The Elephant’s self-titled debut album was recently certified RIAA platinum.
Critical Acclaim for Tell Me I’m Pretty:
“It’s a daring, deliberate shift for Cage The Elephant” – The New York Times
“Tell Me I’m Pretty…is their best yet – melodically taut garage rock with psychedelic flourishes and a fighting edge” – Rolling Stone
“[Tell Me I’m Pretty] swaggers with a raw, psychedelic sound” – Billboard
“The record is grimy, gritty, and thick rock ‘n’ roll” – AV Club
UNPEELED Track Listing
01 Cry Baby
02 Whole Wide World
03 Sweetie Little Jean
05 Take It Or Leave It
06 Too Late To Say Goodbye
07 Punchin’ Bag
08 Shake Me Down
10 Instant Crush
12 Ain’t No Rest For The Wicked
13 Rubber Ball
15 Golden Brown
16 Cold Cold Cold
17 How Are You True
18 Come A Little Closer
19 Back Against The Wall
20 Cigarette Daydreams
21 Right Before My Eyes
CAGE THE ELEPHANT UPCOMING FESTIVAL DATES
September 9 /// St Louis, MO /// Loufest
September 23 /// Las Vegas, NV /// Life Is Beautiful Festival
September 30 /// Mobile, AL /// Ten Sixty Five Street Party
October 6 /// Memphis, TN /// Mempho Music Fest
October 7 /// San Bernardino, CA /// Cal Jam 17
November 18 /// Mexico City, Mexico /// Corona Capital
For more information, please contact Mary Moyer firstname.lastname@example.org or Emilio Herce email@example.com at Q Prime, 212.302.9790, or Sarah Weinstein Dennison firstname.lastname@example.org at RCA Publicity, 212-833-5593.
You can’t talk about music in this century without mentioning Cage the Elephant. They are the last of the great bands — or perhaps, based on new album Unpeeled, the first of the great new ones. They trace their nervy, seditious lineage from that same uncompromising place that gave us Between the Buttons-era Stones, the Pixies, the Stone Roses, the Velvet Underground and Iggy Pop.
In fact, it was as if Bowling Green, Kentucky’s second-most famous export had been born full-blown and knowing when they first burst out on a stage in the early days of 2006, regurgitated whole out of the music’s murky past with their platinum hair, sunglasses and Doc Martens. Mysterious, a little troubled, with an unstudied cool, a reckless charm and the striking looks of the young Yardbirds and the rakish confidence of the early Stones.
“We had this picture of what a rock ‘n’ roll band was supposed to be when we started,” says vocalist Matt Shultz, who fronts the sextet comprising brother Brad on rhythm guitar, drummer Jared Champion, bassist Daniel Tichenor, lead guitarist Nick Bockrath and keyboardist Matthan Minster. “In my younger years, I definitely tried to play into personas that often hindered the material’s ability to be truly effective. Then as years passed I started wanting to shed some of that creative baggage.”
That might have been the most important lesson the band learned working with Dan Auerbach, who produced Cage’s 2015 Grammy-winning Tell Me I’m Pretty album. He helped them chip away at all the things that stood between them and their songs, uncovering their own raw power. “The biggest thing we’ve done in the past few years is to rein in the need to heap every idea we have onto a song,” explains Brad.
Which meant a radical jettisoning of conventional notions of what a band should be. Cage lost all the posing, the affectations, the overweening affection for ‘80s and ‘90s punk, the desire to be anyone else except who they were, stripping everything down to bare-bones essentials: strong, uncomplicated songwriting; an understated yet wicked intelligence; lyrical eccentricity; a brutish rhythmic center; and the kind of abandon that propels Matt headlong into a writhing crowd often.
Why? Because he is Cage’s audience, a tilted mirror for all the fans concerned with the same things Cage the Elephant sing about. Questions of self-doubt, creative dissatisfaction, isolation, identity, uncertain love and an even more uncertain future.
“When I look over the crowd every single night, I start to remember that we’re so intimately connected to our audience. I tend to write songs about pretty heavy things, and when I see these kids out there singing them as if they’d written them themselves, I realized the songs resonate with them because they’ve had very similar experiences, and they identify with us,” says Matt.
“We’re not massive pop stars that a lot of people flock to because it’s the most popular flavor. People who listen to our music listen to it because they’ve had a real connection with it. When I see those kids, it makes it really easy to perform for them, and to connect live. And to want to become even more transparent in what we do. I’m not saying it’s easy. I think human nature’s tendency is to try to cover and camouflage ourselves, but the truth always finds me,” Matt continues with a laugh. “Even if I try to hide from myself. So why not try to start off being honest?”
After Cage the Elephant performed at Neil Young’s 2016 Bridge Show Benefit, they gained a new appreciation the songs they’ve been writing and performing for the past 11 years.
“For the Bridge School benefit, you have to go totally acoustic,” says Brad Shultz. “So we had the idea of adding strings and a whole lot of different acoustic elements to the show to make it a little bit more interesting than just six guys with acoustic guitars on a stage. But after playing that show, it became very apparent that we needed to take it a little bit further with that kind of approach.”
They took that idea to nine cities, where they played acoustically on what they called Live & Unpeeled tour, recording the shows in cities including Los Angeles, Washington, Knoxville and Nashville, ending up with 18 songs from the band’s past four albums as well as three retooled existing songs, performed live and stripped down — in some cases with a string quartet and small choir.
“It was really all about the balance of the intimacy and the delicacy of how we approach playing these songs live acoustically and with strings,” says Brad Shultz “We found the more honest we could be with ourselves, the more honest we could be with everyone else.
“I think with the bigger shows you’re exchanging energy with the crowd and losing yourself in the moment, overwhelmed with all the energy. Playing this way, you find yourself more overwhelmed with the songs, and it’s more like you’re finding yourself in the moment,” continues Brad.
So overwhelmed that the band decided to turn those shows into an album.
“I always wanted to make a record that captured what was happening in the moment,” says Matt. “There are many times in the studio where you don’t necessarily capture a song exactly the way that you’d envisioned it. So this was an opportunity for us to go back to some of these songs and not necessarily rerecord them and totally reimagine them, but add some things that maybe we would have, had we had the time and resources in the past. Many times you’re adding sonic layers looking for something to hide behind, and what you don’t realize is that that vulnerability and that nakedness might be the most compelling and interesting thing about the song. Kinda like people who like to watch any kind of sporting event: everyone knows that accidents are more far more interesting than someone doing something perfect.
“I’m really excited about the future,” Matt continues. “I think everyone in our group is going through a hyper-growth period in life, absorbing a lot. And a lot of the fear that held us back is starting to be lifted.
“You have people who run after the gold rush of purely electronic music, and then you have fundamentalists that refuse to try anything outside of what they know. I think the great things that stood out through history are the ones that embrace it all. And that’s where I see music moving next, not purely electronic and not purely fundamental, but embracing creativity and using whatever tool is in front of you. That’s where we are as a band in mind and spirit, and that’s what’s so exciting right now for us.”
The band took the inspiration for the new album’s title from the Velvet Underground’s first album.
“We needed to find a title that felt right and one that felt classic, too. You are always inspired by what’s come before you, and we’ve always been huge fans of the Stones and of Velvet Underground, and so when we came up with Unpeeled we’re like oh, that’s badass, that sounds like the banana on the cover of the first Velvet Underground album (Velvet Underground & Nico). Mostly, we were trying to find something that was descriptive enough, that said something about what we were doing — the stripping back, the transparency — and at the same time was still a nod to the heroes that we loved.”
Cage the Elephant’s purity of purpose and impulse to communicate what can only be felt beat as steadily in their hearts as they did for the Velvet Underground on the gritty streets of New York in the mid-1960s.
“I definitely believe that music is spiritual, and I think that its most interesting characteristic is in its ability to express what’s unseen. To tell the truth, I believe in the power of honesty, no matter how uncomfortable it might be. It’s a universal strength that overpowers just about anything. Truth always comes out; it just depends on how long it takes,” says Matt.