Press Release

DECLAN MCKENNA CONFIRMS COACHELLA

NEW U.S. TOUR DATES, CHAPPELL ROAN ADDED AS OPENER

WINS BBC MUSIC “INTRODUCING ARTIST OF THE YEAR AWARD” FOR 2017

DEBUT ALBUM WHAT DO YOU THINK ABOUT THE CAR?  OUT NOW

Declan McKenna is confirmed for 2018’s Coachella Valley Music and Arts Festival, and will perform sets during both weekends of the Indio, California festival. The festival performances are part of Declan’s extensive 40+ date U.S. headlining tour which begins January 31st in support of his new album What Do You Think About The Car?. Due to demand, shows on this tour have been added or upgraded to larger rooms in Decatur, Syracuse, and Evanston (full dates below). Various cities including Austin, Dallas, Salt Lake City, Phoenix, AZ, and Santa Ana have also sold out quickly (full dates below). Chappell Roan, newly signed to Atlantic Records, will open for McKenna on all dates on this tour. Tickets for the tour are on-sale now and available here.

Alongside his headlining dates, Declan McKenna will appear at area high schools in cities on this tour, for an intimate performance and Q&A with local students. McKenna will perform 3-4 songs acoustically, and talk about his journey as a young songwriter and how music and performing have shaped his life. A common theme in McKenna’s music is the role young people play in creating a more equitable society, and through these performances he hopes to empower fellow teenagers and help them realize that their voice matters and that they can create positive change, even if it can feel confusing or hopeless at first. As Declan says in a recent Billboard interview: “Quite a big part of the album is about change and being confused… a lot of the headspace I was in was trying to make sense of growing up in a world with loads of crazy things happening.”

Recently, McKenna has been announced as the newly crowned BBC Music “Introducing Artist of the Year” for 2017, as part of the BBC Music Awards. Since its launch in 2007, BBC Music “Introducing” has been dedicated to discovering and supporting new music. Previous winners of this prestigious award include Florence and the Machine, Ed Sheeran, and Catfish and the Bottlemen. You can learn more about Declan McKenna and his “Introducing Artist of the Year” award here.

Declan McKenna’s debut album What Do You Think About The Car?, a collection of socially aware, melody-heavy indie pop songs, is out now via Columbia Records. The album received near universal praise, and was recently featured on NPR Music as a First Listen with NPR Music’s Bob Boilen noting, “Declan McKenna writes about a much bigger world than you or I might expect from a singer who only recently turned 18.” The New York Times also included McKenna’s single, “Humongous” in their weekly playlist, describing Declan’s music as “a strong throwback streak, from his reedy John Lennon-Liam Gallagher vocals to his melodic, midtempo guitar-strumming Britpop productions.” Declan McKenna was also named one of Rolling Stone’s “10 New Artists You Need to Know” for August 2017, who call his new album, What Do You Think About The Car?, “smart, moving and occasionally really funny.” The album additionally received strong reviews from UK’s Q, The Guardian, DIY and DORK. The album is available here: smarturl.it/CarDL.
What Do You Think About The Car? is the follow up to Declan’s EP Liar released last May. The full-length album was recorded in London and LA alongside renowned producer James Ford of Simian Mobile Disco (Depeche Mode, Arctic Monkeys). The song “Listen To Your Friends” was produced by Rostam Batmanglij of Vampire Weekend; the track, “Paracetamol” was produced by Neil Comber; and “Brazil” was produced by Max Marlow. Declan, an adept songwriter and multi-instrumentalist wrote all of the songs and co-wrote “Listen To Your Friends” on the 11-track LP. See below for full tracklist.

 

What Do You Think About The Car? Tracklist:

  1. Humongous
  2. Brazil
  3. TheKidsDon’tWannaComeHome
  4. Mind
  5. MakeMeYourQueen
  6. Isombard
  7. IAmEveryoneElse
  8. Bethlehem
  9. WhyDoYouFeelSoDown?
  10. Paracetamol
  11. ListenToYourFriends

Declan McKenna Tour Dates w/ Chappell Roan

31 January | Austin, TX | Stubb’s [SOLD OUT]

01 February | San Antonio, TX | Jack’s Patio

02 February | Dallas, TX | Three Links [SOLD OUT]

04 February | Memphis, TN | Growlers

05 February | Nashville, TN | Mercy Lounge

06 February | Decatur, GA | Eddie’s Attic [early show @ 6pm, SECOND SHOW ADDED]

06 February | Decatur, GA | Eddie’s Attic [late show @ 8:15pm, SOLD OUT]

08 February | Tampa, FL | Crowbar

09 February | Jacksonville, FL | 1904 Music Hall

10 February | Gainesville, FL | High Dive

12 February | Carrboro, NC | Cat’s Cradle

13 February | Charlottesville, VA | The Southern

14 February | Vienna, VA | Jammin’ Java

16 February | Asbury Park, NJ | House Of Independents

18 February | Hamden, CT |  The Space

19 February | Amityville, NY | Amityville Music Hall

21 February | Northampton, MA | Iron Horse Music Hall

22 February | Pawtucket, RI | The Met

24 February | Albany, NY | The Hollow

25 February | Syracuse, NY | Lost Horizon [UPGRADED]

27 February | Millvale, PA | The Funhouse

28 February | Akron, OH | Musica

02 March | Newark, OH | The Ballroom at Thirty One West

03 March | Grand Rapids, MI | The Stache

04 March | Lansing, MI | Mac’s Bar

06 March | Indianapolis, IN | Hoosier Dome

07 March | Evanston, IL | Space [JUST ADDED]

09 March | Evanston, IL | Space [SOLD OUT]

10 March | DeKalb, IL | The House Café [SOLD OUT]

11 March | Madison, WI | The Majestic Theater

13 March | Burnsville, MN | The Garage

14 March | Lawrence, KS | The Bottleneck

16 March | Fort Collins, CO | Hodi’s Half Note

17 March | Colorado Springs, CO | The Black Sheep

18 March | Boulder, CO | Fox Theatre

20 March | Salt Lake City, UT | In The Venue [UPGRADED]

22 March | Seattle, WA | Vera Project

23 March | Eugene, OR | WOW Hall

25 March | Orangevale, CA | The Boardwalk

26 March | Berkeley, CA | Cornerstone Berkeley

28 March | Santa Barbara, CA | Velvet Jones

29 March | San Diego, CA | Music Box

30 March | Santa Ana, CA | Constellation Room [SOLD OUT]

31 March | Phoenix, AZ | Rebel Lounge [SOLD OUT]

14 April| Indio, CA | Coachella Valley Music and Arts Festival (Week 1)

21 April| Indio, CA | Coachella Valley Music and Arts Festival (Week 2) 

About Declan:

Declan was raised in Hertfordshire UK, a multi-instrumentalist by the time he was a teenager, he began releasing tracks on his Bandcamp page when “Brazil” began to attract viral followers in January 2015. He’s since performed at Glastonbury, Reading, Lollapalooza, Latitude, Outside Lands and SXSW among other festivals and has opened for acts such as The Head and the Heart. Declan made his US television debut on CONAN and also performed on The Late Show with Stephen Colbert and the UK’s Later with Jools Holland.

 

Declan McKenna

Official Website * Facebook * Instagram * Twitter

 

For more information, please contact Mary Moyer (mary@qprime.com) or Emilio Herce (emilio@qprime.com) at Q Prime, 212.302.9790.

 

 


Artist Bio

Declan McKenna has a problem with authority. For a suburban, Bowie-worshipping 17 year old who dropped out of school to record his debut album and slog round the country in a tour van, that’s hardly surprising. But this waif-like dreamer’s issue with being told what to do extends further than mere rebellion: his songs are gunning for the people who misuse power for the purposes of corruption and oppression. Set to melodies that evoke fond moments of The Strokes and Tom Vek, his messages bite hard.

Written in the summer of 2014 about suspended FIFA President Sepp Blatter and the corruption swirling around that year’s football World Cup, debut single ‘Brazil’ sank its teeth that December. Its brazen sentiment and crisp riffing swiftly alerted the world to McKenna’s presence and kick-started his career. “People say ‘no one writes songs about Sepp Blatter’,” McKenna says, “But this was based on him, a greedy character who manipulates the environment. It was the first tune I’d recorded properly and the best I’d released… it prompted a shitload of emails.”

A shedload of meetings – mostly conducted at a roadside cafe near his home in Cheshunt, Hertfordshire – followed, and McKenna soon joined The Vaccines and Peace on the books at Columbia and signed to Because in France. Meanwhile, over on his Bandcamp page, Brazil was taking on a life of its own, spurred on by that under-estimated ol’ faithful, ‘word of mouth’. As the stems of a profile were rapidly built, Declan was called for an unlikely appearance on Sky News to talk about what they called his “Anti-FIFA” song. While the presenters bumbled on about his Twitter profile and whether he was old enough to play gigs in pubs, McKenna, dressed in a bandana and Bart Simpson jumper, grinned and outlined how he fills his songs: “With my views and what I want people to talk about. I’ll make that clear.”

In between those management meetings and television appearances, Declan sent off an entry to Glastonbury’s Emerging Talent competition. He consequently won by a length and a half (plaudits from the Eavis’ to add to the expanding fanbase), and having completed his performing commitments on the Friday evening to a full tent of the curious and appreciative, Declan abandoned his family to explore Worthy Farm’s far reaches. He dressed up, got pissed and was offered a threesome. He declined. “It sounds like a cliché but Glastonbury was crazy,” he remembers. Cliched, perhaps, but at 16 years of age it’s a rite of passage.

Declan’s gigs came thicker and faster after Glastonbury and, hankering after a bigger sound, he recruited a guitarist, bassist and drummer. Although he’d always found time to write songs during school, shortly after starting his A-Levels in September he decided to jack studying in. He “did OK” in his GCSEs (four As, two Bs, two Cs and two Ds if you’re asking) but says he “just couldn’t be arsed to be there anymore.”

“All I wanted to do was go home and play guitar,” he continues. Looking at him – he’s wearing a shirt with tiny orange birds printed all over it, an oversized granddad jumper, skintight jeans, mucky Converse and chipped turquoise nail polish – it’s not hard to see why. He looks like a pop misfit in training.

The taste of Brazil’s success was irresistible for a wannabe who first picked up a guitar aged eight and, after immersing himself in Bowie, Jeff Buckley, The Beatles and post-millennial indie from Vampire Weekend to Hot Hot Heat, had home-recorded more than 100 songs by 16. “I once tried to record an album in a day” he recalls, laughing. “It was pretty shit, but I did it”.

Whilst the tail of Brazil had only just reached the US (and continues today to build at a frightening rate on college radio), Declan soon followed it with second single, Paracetamol, which has another evil authority figure (this time based on media misrepresentation of transgender culture) in its crosshairs. Produced by Neil Comber (Django Django, M.I.A., Patrick Wolf) it swaps Brazil’s guitar for a chunky keyboard part, which shrouds even darker subject matter – suicide. Paracetamol was premiered by Declan through his own ‘pirate radio’ station, a weekly (“If I don’t forget, or am not out playing a gig”) digital outlet for Declan to vent and rant, and play his ever-expanding fans his favourite songs and snippets of his own.

Paracetamol is a niggling gem of a song, infectious and straight from the Mac DeMarco school of the leftfield. Blogs were quick to support it, but the repeated suggestion that it was written about a misspent youth was way off.

McKenna, who is straight and has many transgender and LGBT friends, was inspired to write it after trans teenager Leelah Alcorn took her own life in December 2014. “It’s a morbid topic but it’s not meant to be depressing,” he explains. “I’ve heard similar stories about parents who aren’t exactly accepting. Trans culture is too common not to be talked about properly in the media and when it is, like when Channel 4 did Girls To Men, you can tell they don’t even understand what a transgender person is. I wanted to speak as the media, from the bad guy’s perspective and ask why we’re treating people this way.”

By the time he’s finished his fingers are knotted in frustration, but moments later he’s laughing and calling himself the “attention seeking child” of his family. This is symptomatic of his personality. The youngest of six, McKenna is equal parts teenage impishness and righteous indignation, silliness and maturity. He cares deeply about the environment and worries the world is “somewhat fucked”.

“A lot of my songs are about big world problems because I’ve not got much bad personal stuff to write about. Humans are gonna destroy the planet to the extent they can’t live here anymore and I think we might be around to see that,” he says. Even so, he insists he’s not a crusading songwriter: “Fun is most important. I don’t think I have a responsibility to address anything, it’s good if people start thinking about something because of my songs but I’m not trying to be Billy Bragg.”

Perhaps an easier parallel is Grimes: like Claire Boucher, he has the air of a troubled outsider, chanelling his fears for the future into pop music. McKenna simply says he’s trying to be nothing other than a 17-year-old: “My music isn’t meant to be mature, I’m young. I’ve had comments like ‘D’you reckon he’ll be as good when he turns into a man?’ As if huge balls will suddenly drop through my trousers! I don’t worry about that.”

Mature or not, McKenna is hitting the road and working on his as-yet-untitled debut. Further heavy subject matter (‘Isombard’ tackles police brutality and is inspired by Martin Luther King and ‘The Kids Don’t Wanna Come Home’ was written after the Paris terror attacks in November 2015) sits alongside more personal material (‘Why Do You Feel So Down?’ portrays “a manipulative person who’s an absolute dickhead”).

He’s channelling obsessions with Unknown Mortal Orchestra, St. Vincent, Tame Impala and Sufjan Stevens into songs that explore psychedelic noise, pop and shoegaze. James Ford (Arctic Monkeys, Foals, Haim) will join Neil Comber on production duties. “It’s gonna be very much a first album, all over the place with lots of ideas,” McKenna finishes. “I don’t see that as a bad thing, Bowie did it. I’m creating something you couldn’t put in a genre, it’s difficult but I’ve definitely got enough songs.”

It looks like this kid’s gonna be alright.