MARTY STUART AND HIS FABULOUS SUPERLATIVES WIN AMERICANA MUSIC ASSOCIATION “DUO/GROUP OF THE YEAR” AWARD
FALL TOUR DATES WITH CHRIS STAPLETON & HEADLINING DATES
WAY OUT WEST OUT NOW ON SUPERLATONE
Marty Stuart and his Fabulous Superlatives have won the award for “Duo/Group of the Year” at the Americana Music Association’s 16th Annual Americana Honors & Awards. Stuart and his band performed a stirring rendition of “Time Don’t Wait,” off their latest album Way Out West, before being recognized as the top duo/group in Americana music. Previous winners of this prestigious award include The Avett Brothers, Drive-By Truckers, and Emmylou Harris & Rodney Crowell. In 2005 the Americana Music Association awarded Marty Stuart with the Lifetime Achievement Award for Performance.
Stuart recently announced fall tour dates with Chris Stapleton. Stuart will be a special guest opener for arena dates in Baton Rouge, San Antonio, Bossier City, Austin, and Grand Rapids. Stuart also announced additional dates on his headlining tour, including a string of dates in the UK, in support of Way Out West, his 18th studio album (full dates below). Tickets for all these shows are on sale now and can be found here.
Marty Stuart released Way Out West on Superlatone earlier this year. The album was conceived as a love letter to the promised land of California by one of Country music’s living legends, who has played with everyone from Johnny Cash to Lester Flatt. NPR Music proclaims: “Way Out West is Marty Stuart’s album-length paean to the myth and magic of the American West. It finds country’s stalwart neo-traditionalist turning cosmic cowboy for a journey through the Joshua trees, shadowy canyons and desert dreams that tantalize travelers with the promise of a golden shore on the other side.” Way Out West is available on CD, vinyl, and digitally here.
Fans of Marty Stuart’s music can now find a historic timeline of his musical career on Stuart’s website. The timeline is an interactive way to for users to navigate his milestones and achievements and includes never before seen before videos, photos—including the last photo of Johnny Cash ever taken— and stories that encompass his time touring with Flatt, Scruggs and Cash through his work as a solo artist.
Produced by Mike Campbell (Tom Petty and the Heartbreakers), and featuring the Fabulous Superlatives —guitarist Kenny Vaughan, drummer Harry Stinson and new member, bassist Chris Scruggs– Marty’s longtime band, which NPR Music said could “melt your heart with four-part harmonies, rock your bones with honky tonk, and dazzle you with picking worthy of their name,” Way Out West is a cinematic tour-de-force.
Marty Stuart is a five time GRAMMY-winner, platinum recording artist, Lifetime Achievement Award recipient from the Americana Music Association, Grand Ole Opry star, country music archivist, photographer, musician, and songwriter. Since starting out singing gospel as a child, Stuart has spent over four decades celebrating American roots music. His teenage years on tour with bluegrass legend Lester Flatt in the ’70s were followed by six years in Johnny Cash’s band in the ’80s, and a chart-topping tenure as a solo artist in the ’90s. Stuart hosts a Late Night Jam at The Ryman, a yearly tradition which kicks off the CMA Music Festival, with recent guests including Dolly Parton, Jerry Lee Lewis, Neko Case, Eric Church, Chris Stapleton, Maren Morris, Dan Auerbach and many more.
Way Out West Tracklist:
- Desert Prayer- Part I
3. Lost On The Desert
4. Way Out West
5. El Fantasma Del Toro
6. Old Mexico
7. Time Don’t Wait
9. Air Mail Special
11. Please Don’t Say Goodbye
12. Whole Lotta Highway (With A Million Miles To Go)
13. Desert Prayer – Part II
14. Wait For The Morning
15. Way Out West (Reprise)
Marty Stuart Tour Dates– http://www.martystuart.net/events
October 4 /// London, United Kingdom /// Cadogan Hall
October 6 /// Birmingham, United Kingdom /// Town Hall
October 7 /// Gateshead, United Kingdom /// Sage Two
October 9 /// Glasgow, United Kingdom /// Oran Mor
October 10 /// Manchester, United Kingdom /// RNCM Theatre
October 12 /// Dublin, Ireland /// Olympia Theatre
October 18 ///Memphis, TN ///Halloran Centre for Performing Arts
October 19 /// Baton Rouge, LA /// Raising Cane’s River Center Arena
October 20 /// San Antonio, TX /// AT&T Center
October 21 /// Bossier City, LA /// CenturyLink Center
October 26 /// Austin, TX /// Austin360 Amphitheater
October 27 /// The Woodlands, TX /// Cynthia Woods Mitchell Pavilion
October 28 /// Dallas, TX /// Starplex Pavilion
November 2 ///Charleston, WV ///Charleston Civic Center
November 3 /// Columbus, OH /// Nationwide Arena
November 4 /// Grand Rapids, MI /// Van Andel Arena
November 8 /// Wilson, NC /// Edna Boykin Cultural Center
November 10 /// Tampa, FL /// MIDFLORIDA Credit Union Amphitheatre
November 11 /// Jacksonville, FL /// Jackson Veterans Memorial Arena
November 16 /// Little Rock, AR /// Verizon Arena
November 18 /// Omaha, NE /// CenturyLink Center Omaha
(More Dates To Be Announced)
Marty Stuart on the web:
Official Website – www.martystuart.net
Facebook – www.facebook.com/martystuarthq
Twitter – www.twitter.com/martystuarthq
YouTube – www.youtube.com/martystuartofficial
With legends like George Jones, Johnny Cash and Merle Haggard all passed on, country music purists often echo the question Jones himself asked: “Who’s going to fill their shoes?” The answer, in part, is Marty Stuart.
While he’s too gracious to admit it himself, the Grammy-winning singer, songwriter and musician is living, breathing country-music history. He’s played alongside the masters, from Cash to Lester Flatt, who discovered him; been a worldwide ambassador for Nashville, Bakersfield and points in between; and safeguarded country’s most valuable traditions and physical artifacts. Including its literal shoes: Stuart counts the brogan of Carter Family patriarch A.P. Carter and an assortment of Cash’s black boots among his vast collection of memorabilia.
But most importantly, Stuart continues to record and release keenly relevant music, records that honor country’s rich legacy while advancing it into the future. Way Out West, his 18th studio album, hits both of those marks. Produced by Mike Campbell (of Tom Petty and the Heartbreakers), the album is a cinematic tour-de-force, an exhilarating musical journey through the California desert that solidifies Stuart as a truly visionary artist.
Opening with a Native American prayer, a nod to Stuart’s affinity for the indigenous people, particularly the Lakota, Way Out West transports the listener to the lonely but magical American West. It is, in its own way, musical peyote.
“If you go and sit by yourself in the middle of the Mojave Desert at sundown and you’re still the same person the next morning when the sun comes up, I’d be greatly surprised,” says Stuart. “It is that spirit world of the West that enchants me.”
Specifically the promised land of California. Growing up in Philadelphia, Mississippi, Stuart was taken by the mystique of the Golden State: the culture, the movies and especially the music. “Everything that came out of California captivated my kid mind in Mississippi,” he says. “It seemed like a fantasy land. Way Out West is a love letter to that.”
As such, the album could only be recorded there, and Stuart, with his longtime backing band the Fabulous Superlatives, decamped for California. They recorded half of the album at Capitol Records and the rest at Campbell’s M.C. Studio, a gritty space with a vibe all its own. Much of the early Heartbreakers music was recorded at Campbell’s and that primal rock & roll energy is palpable throughout Way Out West, reinforced by Capitol’s own rock history: the Hollywood studio birthed iconic records like the Beach Boys’ Pet Sounds and the country-rock of Glen Campbell’s Wichita Lineman. Way Out West, with its atmospheric production, evokes those classics, as well as cowboy records like Marty Robbins’ Gunfighter Ballads and Trail Songs and Cash’s The Fabulous Johnny Cash, one of the first albums Stuart ever owned.
“This is a California record, and I knew that when I emerged from the studio at night, I wanted to see palm trees and breathe that desert air,” says Stuart.
Listeners too can feel the warmth of those Santa Ana winds over the album’s 15 tracks, a collection of newly written originals, instrumentals and rare covers like the Benny Goodman-penned “Air Mail Special,” and “Lost on the Desert,” once recorded by Johnny Cash.
“I asked Johnny about that song when I was in his band, and he said the only thing he remembered about it was changing some words,” laughs Stuart. “But Way Out West just as easily could have been titled Lost on the Desert.”
The idea of losing oneself runs through Way Out West, with the title track both a spiritual adventure and a cautionary tale – Stuart wraps up the travel ballad with a spoken aside about his own bad trips with pills.
“I researched that for 30 years,” he jokes, self-deprecatingly. “There’s a lot of truth in that song.”
The rollicking standout “Time Don’t Wait” also offers a warning: to not let life race by. “As the dirt fell through my fingers / the wind it seemed to say / don’t put off until tomorrow, what you can today,” sings Stuart. “That’s just country wisdom. I can’t claim that. But I like when you can talk about the simple things that are around us. That makes country music come to life for me,” he says.
When it comes to transforming country songs into tangible experience, Stuart has a secret weapon: the Fabulous Superlatives. Made up of guitarist Kenny Vaughan, drummer Harry Stinson and new member, bassist Chris Scruggs, the Superlatives are an extension of Stuart himself.
“The Superlatives are missionaries, they’re fighting partners. They’re my Buckaroos, my Tennessee Three, my Strangers. They’re my legacy band and have been since Day One,” says Stuart.
Along with the playing of Mike Campbell, who contributed guitar, B-3 organ and piano, the Fabulous Superlatives are all over Way Out West and ensure that the mystical detours Stuart explores always remain of the moment.
As Stuart himself will tell you, he often ventures off the reservation – in a way, his entire career has been “way out west.” While other artists chased popular trends in the name of radio play, he formed complete bodies of work, not unlike the greats he idolized. Way Out West is just the latest embodiment of that creative mission.
“I would play this record for Hank Williams, Merle Haggard or Ernest Hemingway and never bat an eye,” says Stuart. “There’s something in there that would entertain each of them.”
But Stuart also made Way Out West for those who come after. As he sees it, there is no greater responsibility in music than to share what you’ve learned.
“Lester Flatt saw something in me and gave me his wisdom, wit and music. Johnny Cash was my best friend. But all of that doesn’t come for free. The job is to pass it along,” says Stuart, stretching out his arms. “That’s the way it’s supposed to be in country music.”
With Way Out West, Stuart holds up his end of the deal.